Oil On Canvas, Real Flavor of Old Masters

All Raffaello 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
30966  
Bathazar Castiglione,ecrivain et deplomate, Raffaello
  		 Bathazar Castiglione,ecrivain et deplomate   mk70 Toile H.0.82 L.0.67 Paris,Muee du Louvre
51253  
Jacob's Dream, Raffaello
  		 Jacob's Dream   1518-19 Fresco Loggia on the second floor
51227  
Madonna and Child with the Infant St John, Raffaello
  		 Madonna and Child with the Infant St John   1508 Tempera and oil on wood, 28,5 x 21,5 cm
51224  
Madonna of Belvedere, Raffaello
  		 Madonna of Belvedere   1506 Oil on wood, 113 x 88 cm
30964  
Portrait de l'artiste avec un ami, Raffaello
  		 Portrait de l'artiste avec un ami   mk70 Toile H.0.99 L.0.83 Paris,Musee du Louvre
30965  
Saint-Michel, Raffaello
  		 Saint-Michel   mk70 Bois H.0.30 L.0.25 Paris,Musee du Louvre
51223  
St George Fighting the Dragon, Raffaello
  		 St George Fighting the Dragon   1505 Oil on wood, 32 x 27 cm
51225  
The Canigiani Madonna, Raffaello
  		 The Canigiani Madonna   1507 Oil on wood, 131 x 107 cm
51221  
View of the Stanza della Segnatura, Raffaello
  		 View of the Stanza della Segnatura   1510-11
Raffaello
Italian painter , 1483-1520 was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.



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